The hoi polloi will always want to eat among the rich and famous. Rubbernecking distracts from the food at New York's celebrity canteens. But diners once had a reason to refocus on their plates. This week's reviews of The Lion--one scathing, one mediocre--suggest that's no longer true.
Sam Sifton of the Times and Adam Platt of New York magazine both filed (and piled) on The Lion this week. Reviewing the reviews of celeb restaurants from those publications reveals the genre's decline. Here's how star-studded eateries became Zero Star duds with the critics:
Odeon (1980- ): The Odeon made not only Keith McNally, but the formerly overlooked Tribeca. It was Immortalized on the cover of Jay McInerney's Bright Lights Big City. Hal Rubenstein lauded the bistro in New York in 1998 and it's still a critic's pick after 30 years. The Times archives turned up more features than reviews, although we know Bruni won't be eating there anytime soon.
Butter (2002- ): Richie Akiva's Lafayette Street venture seriously blurred the line between restaurant and nightclub. The Times' Eric Asimov rewarded the effort with One Star. Platt filed a more enthusiastic piece, praising a place "so ambitious it just might work." The champagne and stiletto set (pictured right) was too busy flooding Butter for its signature Monday night bashes to care.
Kenmare (2010- ): From Beatrice Inn's Paul Sevigny, Kenmare is another restaurant-club hybrid that failed to woo critics (zilch stars from Sam Sifton in the Times, one from Platt) despite a real deal chef (Joey Campanaro). Also confused were the couture hipsters who crammed the basement lounge and gave just slightly less mixed reviews.
The Lion (2010- ): A side-by-side comparison of this week's reviews from Sifton (One Star) and Platt (No Stars) reveal almost comically divergent takes on Lion's food. Sifton describes a "luscious hamburger [chef John DeLucie] pairs with pork belly, provolone, smoked cheddar and caramelized onions." Platt derides a "burger garnished, disastrously, with a flabby chunk of fried pork belly." But they agree on star wattage too dim to blind you from the measly grub. Sifton notes that "Jet Blue customers" join the "private plane" crowd and calls out the "Delta Taus" and "women skating on the thin ice of fashion" at the bar. Platt cringes at "a rabble of assorted frumps and arrivistes." So, average Joes can get into The Lion. But why on earth would they want to?
Given the fleetingness of Hollywood careers and New Yorkers' culinary whims, the most amazing thing about these star-clogged restaurants is their staying power. But if The Lion and Kenmare want to display Da Silvano- or Odeon-like legs, they'll need either a celebrity stampede or overhaul in the kitchen. Or, ideally, both.
[Photo 1 via Hannah Whitaker/NYM, 4, via Purple]
tellthetruth
July 28, 2010
5:10pm
Again, a nice piece Billy but I feel that Platt was off the mark. After all, since the days of Toots' Shor, one doesn't go to celeb friendly haunts for the food and the food and service at Lion on my last 2 visits was damned good as was the lighting, vibe and crowd. Pete the bartender is a gem and is also a bit plus and the bitching about the bar crowd is just sour grapes, after all alot of the oddly dressed ones live right there in the hood!
Billy
July 28, 2010
5:39pm
You bring up a good point, tellthetruth. Celebrities definitely have a habit of flocking to places where the food plays second fiddle, if that. But I think the difference between these more recent restos and a hangout like Elaine's is that they aspire to serve good food to famous people, and not just be a clubhouse where the eats keep civilians at bay.
enoughalready
July 28, 2010
9:39pm
always dig on Billy's pieces. there is a point of reference, a wry sense of humor and a lack of bullshit and pretense. GofaG should give him the Hamptons beat or find more writers just like him!