What motivated you personally to explore the “secret” implications behind arguably one of the most widely satirized cultural movements in recent history?
I came to the project in a completely roundabout way. I went to propose to a Canadian arts station a film about Harold Pinter, the British playwright, and as I was pitching this, her eyes glazed over. She said, 'Nobody gives a shit about Harold Pinter anymore, how about a film on disco.' and I said 'Okay…' You’ve got to be flexible. I knew the disco era would be great. I worked as a music critic before and I had done some music films and I just knew disco. It is a bit of a no brainer for film. There’s lots to chew on - the music the fashion etc. And then as I began thinking about what I could do differently, a friend of mine -who actually became the sales agent on the film - sent me a book that had just come out, which was the first of a couple of revisionist histories that were trying to reclaim the disco as a misunderstood time of protest and liberation.
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