Fantastico At The W Hotel Union Square This week's art landscape is shaped (or misshaped) by the tension between the real and the surreal. Physical space becomes "psychogeography" in Julie Mehretu's Liminal Squared, while elemental limits get tested in Ted Lawson's oil-slicked CRUDE. Erika Vogt freezes the New Museum in a moment of suspended chaos and some of our favorite nightclubs become galleries, showcasing the horror and beauty of the human condition—and if that's not a rift in reality, we don't know what is.-

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